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“Now, Moses, look sharp. Quit yer foolin’ an’ git busy,” called Mrs. Wopp, to the son and heir, whose toilet was not even begun. She herself was busy braiding Betty’s fair hair. “Be sure to warsh yer neck an’ ears. Larst party we was to, Mis’ Williams says to me, she says, ‘Is that your Moses settin’ on that bench? La me! he seems darker complected than I ever seed him before. I thort he were some Arfrican,’ she says. I hev always been a godly woman, Moses, ef I do go to a dance now an’ agin. Anyhow, the good book says there is a time to dance, but it aint got no patience with dirt. Git yerself cleaned up, then go an’ hook up the team.” “But I don’t like them to do that, Billy. They ought to stay dead till the play is done. When I see them smiling I feel as if—just as I would if you made fun of me when I cried for my mama,—it takes all the true out of the play.” “Better quit tarlkin’, Moses, an’ let the picter show go on so’s we kin hev supper, everythin’s laid an’ ready.”.
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Conrad
As the door into the dining-room opened to the little guests, St. Elmo Mifsud’s eyes almost darted out of his head, for there on the centre of a bountifully-spread table stood an enormous chocolate cake with eleven candles burning on it. The revelation supplied a fitting climax for the epochal event of a thrilling picture show. He obeyed, talking whimsically to his pets as he went. He went on, a little cautiously now, and shortly came in view of the “Ha’nt,” a sinister though imposing house, built of cut stone, close against the face of the most picturesque mountain of the range, bounding Vina Valley. The windows were curtained with cobwebs and dust. For years the wide front door had been nailed up with the same sun-bleached boards; and “Keep out!” spoke from every gray splinter. Better than all others,.
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